The Pre-modern Europe - Free Essay Example

Sample details Pages: 4 Words: 1208 Downloads: 7 Date added: 2018/12/26 Category History Essay Type Research paper Level High school Tags: Church Essay Did you like this example? There are quite some disagreements between writers regarding early modern Europe. However, this paper provides some insights into the then continents social system by identifying and assessing the social values for instance. This work scrutinizes to some detail the ideologies, beliefs, and institutions that were valued in the olden day Europe. Don’t waste time! Our writers will create an original "The Pre-modern Europe" essay for you Create order For example, in the pre-modern Europe, religion was a critical constituent part of social life. Nevertheless, the place of the male gender, as well as the role of females in these times, is significantly explored in this work. In the early middle ages, Europe gradually emerged out of the devastation and destruction of the Roman Empire, seeing the church appear as one of the leading ways of instilling civilization in Europe. The church was explicitly one of the most respected institutions in early European days. Through religious education such as evangelism training for young people, Christianity education initially got spurred up at such old ages (Woods Jr, p. 15). The role of the church in the olden Europe was of far greater importance than can be underestimated. For instance, especially prior the Reformation, when unity described the church so succinctly, the church was the gateway to the majority of the services in the society. Religion at the time defined the fabric that sustained the community (Hughes and Fries, p. 9). Essential functions of the church included matters such as culture and inspiration. Christianity, the dominant religion of the time, determined the moral stature of individuals by providing guidance in general life concerns of the European people. Organized teaching was offered to various people groups such as to children, youths and other age categories of the time (Abramson, p. 5). The people were thus enhanced and well rooted in Christian teachings and therefore were accustomed to Christian ways. As a result, the culture of the people at early ages was a formation of the Christian became a predicate product of the instill ed Christian doctrines. This particular religion, therefore, shaped the pre-modern European culture. The middle age Europe was also highly reliant on the church to answer most social aspects. Primarily, it is impressive that when such happenings as famine, diseases, and other events, people turned to religion to get answers to the various issues. The church was, therefore, an essential and integral part of someones life (Abramson, p. 5). The influence of the religion was so vast that it commanded the order of business in the political leadership. Church input was a crucial driver in the lands administration by the Monarchs and emperors. The European continent experienced civilization at an early age relative to other parts of the world. This new trend was a considerable effect on the church. New developments such as the establishment of schools, philosophies, and hospitals marked the onset of a civilized society. The church participated in the creation of schools in various parts of the land. These comprised primary, elementary institutions as well as advanced systems. The societies thus engaged an evolution in practices into a modern way of doing things, with individuals embracing education, which initially begun as religion-oriented learning. This era also saw the rise of philosophies and scholars, some of whom are recognized to date for their outstanding work. All these were however instigated by religious purposes and subjects. Directly speaking, the church was the foundation for almost everything (Abramson, p. 5). The position of the two genders at the pre-modern day Europe is a matter of importance at the time. For instance, men were considered the breadwinners of the families. Like in most of the societies around the globe, the male was also viewed as the head of their families and plausibly the most important people in the basic social unit. Their role in providing for the family was at the time given and a fundamental responsibility every man had to meet. Women on the other hand submitted to men, respected and sought to please them. They also notably tended to their home and their children (Hughes and Fries, p. 9). In this era, the status of a man in the society was depended on the wealth he owned, and particularly the amount of land he commanded ownership. Wealthy men often played the role of employers, employing the peasants and women to look after their property, specifically land. Thus, in brief, masculinity was upheld in the medieval Europe. The place of femininity in the then medieval era in Europe is highly contrasting with the present day scenario. At the time, women were considered fit only for domestic functions at the homestead. They did not have equal rights as men, neither could their rights match the present. The female gender was considerably sanctioned against the male sex, such as because women neither could actively participate in politics either as leaders nor could they choose leaders (Hughes and Fries, p. 9). All decision-making function was the work of the then most important people in the society: men. Decisions as fundamental as whether to marry or not were also reserved for women, even the question of whether to have children or not. This importantly shows the evolving nature of the society, especially juxtaposing femininity in the medieval era with the present age. The place of women in the community has considerably evolved with an increased respect for womens rights and advanced rights, even the ne w gender equity considerations, concepts that never were but are instead just modern developments in the social arena. Art was a primary activity of the ancient and medieval Europe. For instance, at around 1000AD, one essential development in art was the emergence of the Romanesque art to the rise of the Gothic style. The term was coined by the art historians of the 19th century and particularly for the Romanesque architecture. This architecture was highly characteristic of the Roman design, which was at the time a superior approach in construction. Various developments occurred in the field of art such as featuring the Renaissance art of the 1400 (Encyclopedia.com, n.p). These developments in art reflect the progressive nature of the society that features movement into advanced and better ways of life. The Ancient day, medieval or pre-modern ages of Europe had interesting social aspects. Most importantly, the great place of the church in those days and its place in the majority of the elements of life is undeniable. The differences in the role of men and women in the family and society equally draw attention. The civilization of the then Europe, which revolved around the church, and the participation in the art are all essential social practices in early Europe (Encyclopedia.com, n.p). The various aspects of the society, such as the high reliance on faith shows the orientation of the people at the time, which is different from the present scenario. Currently, many people in Europe have taken on secularism, humanism and other counter-religious philosophies. It is thus true to assert that societies highly evolve, such as the key changes in femininity. Works Cited Abramson, Glenda. Modern Jewish Mythologies. Cincinnati Hebrew Union College Press, 1905. Encyclopedia.com. Early Modern Europe. 2004. Website. 30 Nov 2017. . Hughes, Paul L and Robert F Fries. European civilization : basic historical documents. Littlefield, Adams: Totowa, N.J., 1965. Print. Woods Jr, Thomas. How the catholic church built western civilization. [sic]: Regnery Publishing, 2012. Print.

Career Of The Clinical Laboratory Science Field - 2116 Words

Careers in the Clinical Laboratory Science Field By: Rolando Barrios November 20, 2014 Per. 1-6 What is Clinical Laboratory Science? Clinical Laboratory Science, also known as Medical Technology is the occupation in the medical field that provides doctors with information needed to treat a disease. Laboratory Scientists, perform an extended variety of tests, ensure that the test results are reliable, explain the importance of laboratory tests, and study the effectiveness of laboratory tests. Laboratory Scientists perform many tests, some of which include, the analysis enzyme activity released while a heart attack is taking place, the identification of the type of bacteria causing an infection, and the detection of DNA markers that cause genetic diseases. The tests performed by Laboratory Scientists reveal information unknown to people before their test was taken. Laboratory Scientists are one of the most important persons in the hospital. Instead of performing tests, a Laboratory Scientist may be responsible for confirming that the results of a test are accurate. The Laboratory Scientist is an important part of a medical team because his test results often help decide the type of treatment methods doctors’ use for their patients. An inaccurate result could lead to unnecessary upset for a patient or even incorrect treatment. Laboratory Scientists may also check to ensure that products for transfusions are safe. Laboratory Scientists have many careers to choose from.Show MoreRelatedMedical Laboratory Technologist Essay682 Words   |  3 PagesMedical Laboratory Technologist Have you ever wondered what a Medical Laboratory Technologist does? Well, a Medical Laboratory Technologist performs essential laboratory testing that is critical to the detection, diagnosis, and treatment of disease. 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Slaughterhouse-Five and Beloved Free Essays

string(63) " novel is from the point of view of a severely disturbed mind\." The modern human attitude is largely framed by the philosophy of science, in America. According to this philosophy the world is governed by the fixed laws of physics, through which humans find intellectual enlightenment. In this world of science, knowledge is power, and this power renders humans more able to shape their destiny. We will write a custom essay sample on Slaughterhouse-Five and Beloved or any similar topic only for you Order Now The American ideal of the self-made individual, (although usually vouched in the terms of religion), is structured upon this science based premise. But a contradiction lies at the heart of this blending of scientific philosophy and individual identity. It is that a physically and scientifically determined universe does not allow for free will. The modern headlong march towards scientific utopia thus carries grave peril because a philosophy that denies the inexorable human desire for free will ultimately is not self-sustaining. It is as if people are surrendering to destiny at the price of believing that the will is empowered by science. It recalls Franklin Roosevelt’s memorable comment that â€Å"freedom cannot be bestowed; it must be achieved† (qtd. in Singh 143). This crucial issue is dealt with by Kurt Vonnegut in his novel Slaughterhouse-Five. Although many readers view Vonnegut’s novel as advocating fatalism, the opposite is true. Billy Pilgrim, the novel’s protagonist, clearly advocates that humans must overcome fatalism in order to restore free will and sustain forward movement. Toni Morrison, in her novel Beloved, suggests that humans also should overcome the fixity of time. To move forward, both Sethe and Paul D must learn to redefine themselves by psychologically releasing themselves from the physical chains of their previous slavery. The central message of both authors is that there is no looking back. A vigorous free will must always look forward. Sociological and psychological factors may be challenges, but they are not impediments to the free will. The only such barriers are those that exist within humans. The crucial factor is the orientation of people’s vision. Both texts stress the importance of escaping the grip of the past by focusing on the future, and thus are aimed at nourishing hope. The guiding motif in this analysis is thus time. The novels can also be read as reminders of the American ideal, and what it means to be a successful American in the modern era. The American outlook has always resisted historicity. Its orientation is to leave the old world behind and focus on the forging of the new. But modern Americans are surrendering to historicity once more, and thereby squandering their freedom. By chasing synthetic and materialistic dreams (which is merely slavery to past success), we lose our moral orientation, and this is a failure of the American ideal. If we hope to recover from this decadence we must re-establish our freedom, which should be in the spirit of Emerson’s â€Å"nonconformism†. The novel Slaughterhouse-Five is intensely personal to Kurt Vonnegut, though Billy Pilgrim is not necessarily the alter ego of the author. He draws on his experience of having fought in the Second World War, been taken prisoner, and surviving the blanket firebombing of Dresden. He survived by being trapped as a prisoner-of-war in an underground locker of a slaughterhouse, and emerged a few days later to apprehend the charred desolation. In the novel, Billy Pilgrim goes through the same experience which turns out to be the defining moment of his existence. He has become â€Å"unstuck in time† through his experience of this event, meaning that the flow of time does not effect him anymore, and that he can shift at will from one moment in time to another. He experiences only episodes, in random order, and over and over again, but they always refer back to the Dresden massacre. He does not realize what is happening until much later, when he is abducted by alien creatures known as the Tralfamadorians. They reveal to him that free will is only an illusion, and because they exist in four dimensions – the fourth dimension being time – they observe past, present and future simultaneously, and the entire life as a unified whole. Time itself is indestructible, and, therefore, one lives one’s life over and over again. One only has free will to the extent that one chooses to concentrate on the better moments in life. This is the way Tralfamadorian literature is written, as one of his captors reveals to him, â€Å"There isn’t any particular relationship between the messages, except that the author has chosen them carefully, so that, when seen all at once, they produce an image of life that is beautiful and surprising and deep. There is no beginning, no middle, no end, no suspense, no moral, no causes, no effects. What we love in our books are the depths of many marvelous moments seen all at one time (Vonnegut 88). † After this encounter, Billy is confirmed in his fatalism, and he is described as living the episodes of his life over and over again. Before his violent end in the year 1976, he reveals to the world the secret about the nature of time which he has learned from the Tralfamadorian. He does so with calm and collected purpose, because he knows beforehand that his message will be accepted. He even avoids bearing a grudge towards his own murderer, knowing that it is all fated, and that death itself is of no consequence. The vital clue that the novel as taking place frozen time is found in Vonnegut’s introduction, in which he says, â€Å"This is a novel somewhat in the telegraphic schizophrenic manner of tales of the planet Tralfamadore, where the flying saucers come from† (Ibid, title page). The tales told on that distant planet take place in static time, and by pointing out this similarity the author is acknowledging the existence of dynamic time, which the Trafalmadorians deny. Regarding this weird theory, there is ample evidence that what is told about the aliens is nothing more than a figment of Billy’s imagination, and that much of the novel is from the point of view of a severely disturbed mind. You read "Slaughterhouse-Five and Beloved" in category "Papers" It is his own fixity in time which he tries to rationalize with his tales of the aliens. The description of the aliens as upside down toilet plungers is laughable, and this is a clue from the author that we are not supposed to believe in them and their outlandish concept of time. Even though Billy is portrayed as a weakling, readers should not judge his fatalism as abnormal, or his ideas about time as merely the products of an unsettled imagination. Vonnegut is passing judgment on the ethos of the human age, and readers know this because the world accepts Billy’s revelations in the end, also, because the narrative is rooted in the Second World War. This is the event that finally shatters the notion of â€Å"progress† as in the eighteenth century Enlightenment. The consequence of the two world wars is the paralysis of cultural will, and this is captured through Billy’s fantastic notion of time, also rooted in the Second World War. Billy’s particular circumstance, allied with his curious nature, allows him to come to vital understanding that he lives in an age of stagnancy. But even though the novel is mainly concerned with depicting the human age, there are also enough clues that point to the way out of this nightmare. For example, Vonnegut, in his own character in the novel, talks about its composition to his publisher in Chapter 1, and says, â€Å"People aren’t supposed to look back. I’m certainly not going to do it anymore. I’ve finished my war book now. The next one I write is going to be fun. This one is a failure, and had to be, since it was written by a pillar of salt (28). † Whatever deep secrets it conveys, the novel is declared to be a failure, and Vonnegut admits that he too is subject to frozen time in writing such a novel, describing himself as â€Å"a pillar of salt†. The reference in to Lot’s wife, who is described in Genesis as turning into a pillar of salt because she chose to look back with attachment to the incinerating city of Sodom. Looking back is made to be the most fatal destroyer of the will. So he promises he will not do it again, and his subsequent novels will be situated in dynamic time. For Vonnegut, hope resides in leaving the past behind. Toni Morrison delivers the same message in a very different context. Slavery is an integral part of the birth of the American nation. It is now universally admitted to have been a cruel institution. But, as E H Carr puts it, history is only â€Å"the key to the understanding of the present† (14). It is very difficult for us to empathize with the motivations of the slave-owners, and any effort in this direction is bound to be controversial. But in her novel Beloved, Morrison is not intent on giving the reader further history, or even a commentary of history. The advocacy is clear, that humans should leave history behind. Sethe is a former slave, now living out her freedom with her teenage daughter Denver, and recently having admitted another former slave Paul D as her partner. She is trying to suppress her horrific past, but the arrival of Paul D brings it back to her. Once, when fleeing from her sadistic owner, she had murdered her 2 year old daughter, thinking that capture was inevitable, and she did not want her children to suffer slavery. Soon after the arrival of Paul D, the embodied spirit of her murdered daughter appears, calling herself Beloved. Her appearance brings new life into all that come in contact with her, because she infuses tension into their lives, by which they must react. She becomes a demanding presence in the household, and Sethe finds herself at her beck and call. The shy and retiring Denver find herself forced out of the household and in the process acquires maturity. Even Paul D learns to open up his â€Å"rusted tin tobacco box† of a heart in her presence. In the end she disappears just as suddenly, and all the tensions are at once relieved. But she has touched lives in such a way that in her aftermath they are all restored to life and hope. Beloved clearly represents a horrible past, and one which must be dealt with finally. Even traces of the tale itself must not be left behind, and so the novel ends, â€Å"This is not a story to pass on† (Morrison 324). The past must be completely extinguished, and once this has been done, there is the possibility of shaping one’s destiny through the exercise of free will. These novels by Vonnegut and Morrison raise the issue of what it means to be successful in America today. Traditionally, historicity had been part of the old world, and that which the new world tries to leave behind. But these novels suggest that historicity has certainly caught up with modern America, and is the root to modern decadence. But to review the exhortations of the greatest Americans of the past is only to confirm that the nation was established on the basis of freedom, and freedom necessarily entails the letting go of the past. In the early period of the Puritan fathers the message use to be couched in terms of religion, and which we may detect in the sermons of Jonathan Edwards. In his speech â€Å"Sinners in the Hands of an Angry God† there is no reference to anything in the past. It is entirely aimed at striking terror in the heart of the sinners, by evoking the visions of the hell that awaits them, laced with such warnings as: â€Å"There is nothing that keeps wicked men, at any moment, out of hell, but the mere pleasure of God† (Edwards 90). Edwards relies on the immediacy of his message, and thereby strikes a particularly American note. The calm transcendentalism of Ralph Waldo Emerson may seem to be at a polar opposite, yet projects the same obligation to freedom. In his essay â€Å"Nature† he says, â€Å"Our age is retrospective. It builds the sepulchers of the fathers. It writes biographies, histories, and criticism. The foregoing generations beheld God and nature face to face; we, through their eyes† (Emerson 181). Writing in the middle of the 19th century, he warns that the true American spirit of freedom is being quickly eroded, and will not be recovered until we relearn how to apprehend nature with immediacy. â€Å"Whoso would be a man, must be a nonconformist,† he says in his essay â€Å"Self Reliance† (Ibid 269). Any sort of conformity is compromising to the freedom, and therefore is a betrayal of the American ethos. Mark Twain conveys the same message in his classic children’s adventure story Huckleberry Finn. Set in the context of slavery and emancipation, it is more truly about the slavery of the whites than that of the blacks. Huck is fleeing from his drunken father, but he also becomes wary of the pious and benevolent reach of society that tries to civilize him. He sets himself up on a floating raft, with an escaped slave, and only here he feels free and himself: â€Å"[T]here warn’t no home like a raft, after all. Other places do seem so cramped up and smothery, but a raft don’t. You feel mighty free and easy and comfortable on a raft† (Twain123). Huck’s suspicion towards society and civilization is the central point of the novel, and this makes him a true American. Vonnegut and Morrison would say that modern American is a betrayal of the founding spirit of the nation, where conformity to a media constructed reality in the norm. It is a historicity of a different sort which America enslaves itself to. It is as if history is rewritten by Hollywood, and such false history tends to become the worldview of the average American. The media projects crass materialism in every aspect, where fame is the highest criterion for judging worth. So, Americans not only follow the dress code of celebrity film stars, they also follow the history and sociology of celebrity historians and sociologists. This in conformity of the most enslaving form, and represents a total loss of freedom. The judgment must be that, without the recovery of the Emersonian spirit of nonconformism there is no way out of this predicament. Americans must strive once again to succeed as human beings, and must stop chasing the fame and fortune of film stars. The crucial necessity is to recover free will. Both Vonnegut and Morrison bring the message that the barriers to the exercise of free will lie not in external conditions, but within each human being. If people believe that they lie with social, psychological or emotional factors, then they subscribe to the thinking of the Enlightenment, which believed that a scientific approach to understanding external conditions will result in their gradual removal, and generally in the direction of utopia. Vonnegut intends to explode this myth, and tells readers that such determinism renders the free will paralyzed, and he depicts the modern world as having met this unacceptable end. Like Morrison does in her novel Beloved, Vonnegut advocates that humans must overcome the past if they hope to exercise control over their future. Morrison’s specific concern is the fixity of Black America in the past of slavery, but she is in fact addressing a wider malaise in America as a whole. The common message is that slavery to the past is destructive to the free will, and therefore disastrous to the American ideal. Works Cited Carr, E. H. What is History? New York: Penguin Books, 1967. Edwards, Jonathan. A Jonathan Edwards Reader. Eds. John Edwin Smith, Harry S. Stout. New Haven: Yale University Press, 2003. Emerson, Ralph Waldo. Selected Writings of Ralph Waldo Emerson. Eds. William H. Gilman, Charles Johnson. New York: Signet Classic, 2003. Morrison, Toni. Beloved. New York: Vintage International, 2004. Singh, M. P. Quote Unquote. Twin Lakes, WI: Lotus Press, 2007. Twain, Mark. The Adventures of Tom Sawyer and Adventures of Huckleberry Finn. New York: Signet Classic, 2002. Vonnegut, Kurt. Slaughterhouse-five, Or, the Children’s Crusade: A Duty-dance With Death. New York: Dell, 1969. How to cite Slaughterhouse-Five and Beloved, Papers

A Midsummer Nights Dream an example of a Shakespearian comedy Essay Example For Students

A Midsummer Nights Dream an example of a Shakespearian comedy Essay William Shakespeare has written many plays, ranging from tragedies to comedies. A Midsummer Nights Dream is an example of a comedy. A comedy is a play that has a humorous storyline. When a play builds up to its climax, it ends in a happy note. Climax comes from the Greek word Ladder. At the beginning of the play, the main characters are introduced to the audience and everything is in natural harmony. But after a while things start to go wrong in the magical world, causing confusion and nature to go out of balance. In this play, there are issues where the magical world becomes chaotic causing a loss of order and harmony. Shakespeare writes of various themes, like love and loyalty. The love he writes of in this play is Parental love, Female verses male and the love that seems most important in this play, Marital love. This love contrasts with real love. He also writes about order and disorder, which is usually linked to nature. The appearance and reality of the magical world, and the Kingship is linked towards Theseus, for he is a very fair ruler. Theseus contrasts with Oberon because in the play, Oberon abuses his power over the magical world. During the play, Shakespeare uses contrast to show the different qualities, which the people and places have. The real world of Athens and the magical world of the woods contrast because in the play, Shakespeare jumps between the two showing reality and illusion. This shows that each world is not very different, although each world is ruled very differently. The night contrasts with the day because at night the scenes take place in the woods where the fairies are in control. On the other hand is the day, where everything takes place in Athens and the humans are in control. In Athens everything is peaceful and law-abiding, showing reality. But in the woods, everything is chaotic and law breaking, showing illusion. The night and the day contrast with each other because although they may be different times of each day, but when each time comes, they show to be very separate worlds. In this play there are two different types of tone; comic and serious. Shakespeare jumps between the two during this play. The comic tone occurs when the mechanicals are on-stage, while the serious tone is when either the nobles or the magicals are on-stage. Although, sometimes with the magicals, the play can turn comical, for they can be quite silly. Shakespeare has given this comedy a feeling of importance rather than any of his other comedies, by giving the nobles and lovers names from Greek mythology. The mechanicals could have got their names based on the jobs that they did. Theseus is the Duke of Athens, who is engaged to Hippolyta, Queen of the Amazons. Theseus is a kind and sensitive ruler, whos mature and impartial nature is contrasted with that of the fairy king Oberon, who uses magic to humiliate and win back his Titania. The way Theseus makes his decisions does have its difficulties, however, after the four lovers have described the strange events that had happened to them that past night. Theseus reveals that he has little sympathy for the lunatic, the lover, and the poet. Theseus and Hippolyta were former enemies in war, but soon their love for one another brought an end to battle. Their wedding provides the framework for the events of the play. It also shows the way they love each other maturely, which can be measured by the behaviour of the other lovers. Their marriage is perfect in the eyes of the Shakespeare audience. .u6b3fdfbd41020e5aecd97574ceaa3a54 , .u6b3fdfbd41020e5aecd97574ceaa3a54 .postImageUrl , .u6b3fdfbd41020e5aecd97574ceaa3a54 .centered-text-area { min-height: 80px; position: relative; } .u6b3fdfbd41020e5aecd97574ceaa3a54 , .u6b3fdfbd41020e5aecd97574ceaa3a54:hover , .u6b3fdfbd41020e5aecd97574ceaa3a54:visited , .u6b3fdfbd41020e5aecd97574ceaa3a54:active { border:0!important; } .u6b3fdfbd41020e5aecd97574ceaa3a54 .clearfix:after { content: ""; display: table; clear: both; } .u6b3fdfbd41020e5aecd97574ceaa3a54 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u6b3fdfbd41020e5aecd97574ceaa3a54:active , .u6b3fdfbd41020e5aecd97574ceaa3a54:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u6b3fdfbd41020e5aecd97574ceaa3a54 .centered-text-area { width: 100%; position: relative ; } .u6b3fdfbd41020e5aecd97574ceaa3a54 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u6b3fdfbd41020e5aecd97574ceaa3a54 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u6b3fdfbd41020e5aecd97574ceaa3a54 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u6b3fdfbd41020e5aecd97574ceaa3a54:hover .ctaButton { background-color: #34495E!important; } .u6b3fdfbd41020e5aecd97574ceaa3a54 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u6b3fdfbd41020e5aecd97574ceaa3a54 .u6b3fdfbd41020e5aecd97574ceaa3a54-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u6b3fdfbd41020e5aecd97574ceaa3a54:after { content: ""; display: block; clear: both; } READ: How Does Gatsby Represent The American Dream EssayOberon is king of the fairies. In contrast with Theseus, he rules his world in a much different way. He is quite a proud, sometimes jealous man who has a darkness in his character which can make him quite frightening. He is very much a creature of the night and he creates dreams which can cause chaos and confusion. Titania is quite a caring character in this play. She is in tune with nature, when she sees that Oberon and herself are causing chaos with their arguments. She shows that she would much rather desire harmony than chaos. She is also very passionate, as well as romantic and delicate. She shows this side of her, during her love for Bottom. You can see of her strength, bravery and pride when she stands up to Oberon because she is refusing to give him what he wants. Although they have many problems, at the end of the play, you can see that they are still very much in love. What Shakespeare is trying to say here is that a love which is strong, will not die. He is advocating love within marriage in this play. Oberon and Titanias marriage is quarrelsome but passionate. This is in contrast with Theseus and Hippolytas love for one another. Hermia is the daughter of Egeus and love of Lysander and Demetrius. Her father is determined that she will marry Demetrius, but she goes against his wishes and runs away with Lysander into the woods. The Elizabethan audience at this time would be shocked by her behaviour. At the start of the play, Hermia clearly takes pleasure in the dominant control she has over Helena because of her lack of self-confidence. Helena is perhaps named after Helen of Troy, who was the beautiful woman whose abduction started the10 year Trojan war. Helena contrasts to Hermia because they are both beautiful but Helena lacks that extra self-confidence. Helena is very much in love with Demetrius and she is grounded, passionate and witty despite the love she does not get in return. Helena always carries herself with a certain grace and maturity that contrasts with Hermias more ill-humoured behaviour. Lysander, the lover of Hermia and Helena, is a complete romantic and extremely passionate. While he expresses his playful language towards the women, he shows his boyish charm. When contrasted with Demetrius, he thinks of love in a more romantic view rather in a mature way. Demetrius is the lover of Helena and Hermia. At the start of the play, he expressed his love for Helena. But he soon changed his mind in favour of Hermias wealth. He is not a faithful lover and is even and direct, but firm at the same time about his desires. In this play he treats Helena very badly, by threatening her to leave him alone. Demetrius only falls in love with Helena near the end of the play because of the love potion Puck put on his eyes. This action makes them him fall deeply in love with Helena, but it also means that their love is not true. Hermia and Helena are both romantic and constant in their love. But because of Puck, the young men become victims of an illusion. Each lover is seen as a symbol of young love. Nick Bottom is a weaver and the most important of the six mechanicals. Bottom together with Peter Quince a carpenter, Francis Flute a bellows mender, Tom Snout a tinker, Snug a joiner, and Robin Starveling a tailor, decide to put on a play for Theseus and Hippolyta, celebrating their wedding. The plays genre is a tragedy and its called Pyramus and Thisbe. In A Midsummer Nights Dream, each mechanical represents decency, honesty, loyalty and hard work. Each man brings comedy into the play which contrasts with the aristocratic lovers. .u4b73d4b58d1f6d47511d84b373f3d946 , .u4b73d4b58d1f6d47511d84b373f3d946 .postImageUrl , .u4b73d4b58d1f6d47511d84b373f3d946 .centered-text-area { min-height: 80px; position: relative; } .u4b73d4b58d1f6d47511d84b373f3d946 , .u4b73d4b58d1f6d47511d84b373f3d946:hover , .u4b73d4b58d1f6d47511d84b373f3d946:visited , .u4b73d4b58d1f6d47511d84b373f3d946:active { border:0!important; } .u4b73d4b58d1f6d47511d84b373f3d946 .clearfix:after { content: ""; display: table; clear: both; } .u4b73d4b58d1f6d47511d84b373f3d946 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u4b73d4b58d1f6d47511d84b373f3d946:active , .u4b73d4b58d1f6d47511d84b373f3d946:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u4b73d4b58d1f6d47511d84b373f3d946 .centered-text-area { width: 100%; position: relative ; } .u4b73d4b58d1f6d47511d84b373f3d946 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u4b73d4b58d1f6d47511d84b373f3d946 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u4b73d4b58d1f6d47511d84b373f3d946 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u4b73d4b58d1f6d47511d84b373f3d946:hover .ctaButton { background-color: #34495E!important; } .u4b73d4b58d1f6d47511d84b373f3d946 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u4b73d4b58d1f6d47511d84b373f3d946 .u4b73d4b58d1f6d47511d84b373f3d946-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u4b73d4b58d1f6d47511d84b373f3d946:after { content: ""; display: block; clear: both; } READ: Romeo and Juliet by Michael Horwood EssayIn Elizabethan lore, Puck was a mischievous, brownie like fairy also called Robin Goodfellow. As one of the leading characters in this play, Puck boasts of his pranks of changing shapes, misleading travellers at night, spoiling milk, frightening young girls, and tripping venerable old dames. Apart from this, Puck is ultimately good-natured and generous, finding true pleasure in the plays outcome. Shakespeare has written this play in a way so that when each character speaks, it reflects their personality. For example, whenever Bottom speaks he often muddles things up and gets things wrong, showing his character to be quite silly and clumsy, which makes him a comic character. Bottoms behaviour contrasts with that of Theseus behaviour. Theseus is always trying to sort things out and make things right, at the same time as being sensitive. This shows his character to be mature, fair and considerate. To examine the personality of each character, you do not only look at what they say, but the pattern they speak in as well. When the magicals and nobles come on, they speak in verse and everything is spoken in rhyme. That contrasts with the mechanicals, for whenever they are on, they do not speak in verse. In this play, contrast is mirrored in its pages. In some ways, Shakespeare has been successful in his use of contrast. It has made the play clearer to understand. For example, what characters are comic or serious. But on the other hand, I feel that he has tried to be a little too clever by using too much contrast. By doing this, it has made some things harder to understand. Overall, Shakespeare has used contrast well because it helped me to imagine the two very different worlds and its people.